This is my blog where I write about music, jewelry, and myself. Vaudeville, burlesque, blues, jazz, songs about baltimore, novelties, and whatever else I feel like posting. Mostly from my own LPs and 78s. Subscribe via any of the methods in the right-hand column. Please do not link directly to the mp3 files.


Show Biz: From Vaude To Video narrated (part 4 of 4) 


Oh, I didn't realize I hadn't posted this yet..


Part 4: 1940 To Date FROM TV TO 3-D with the actual voices of Hildegarde, Ezio Pinza, Perry Como, Danny Kaye, Eddie Fisher


George Jessel
Show biz Part 4
RCA Victor (1953)

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Show Biz: From Vaude To Video narrated (part 3 of 4) 


I was trying to consider what created the demand for records like this, and what happened to that demand. All I could think of was NPR segments.


Part 3: 1929 To 1940 WHEN WALL STREET LAID AN EGG with the actual voices and music of Morton Downey, Ben Bernie, Rudy Vallee, Arthur Tracy, Bing Crosby, Helen Morgan, Ben Lillie, Jimmy Durante, Cole porter, Glenn Miller, Tommy Dorsey, Cab Calloway, Benny Goodman, Kate Smith


George Jessel
Show biz Part 3
RCA Victor (1953)



Next time:

Part 4: 1940 To Date FROM TV TO 3-D

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Show Biz: From Vaude To Video narrated (part 1 of 4) 





How about a good ole serial?
Hide yourself underneath 1000 blankets and listen to records on the computer.
It's easier to click a mouse under a blanket than to move a turn-table arm. Unless you have a "snuggie" I guess.
You've heard George Jessel on at least one of my other uploads.
On this recording he's not really doing comedy.. just narrating. Reading from this book.
This record has 4 parts.


Part 1: 1904 To 1920 WHEN VAUDEVILLE WAS KING with the actual voices of Jimmy Durante, Smith & Dale,Georges M. Cohan, Harry Lauder, Fanny Brice, Nora
Bayes& Jack Norworth, Will Rogers, Enrico Caruso.


George Jessel
Show biz Part 1
RCA Victor (1953)


I appreciate the mention of Bee Palmer.

Next time:

Part 2: 1920 To 1929 THE ROARING TWENTIES
Part 3: 1929 To 1940 WHEN WALL STREET LAID AN EGG
Part 4: 1940 To Date FROM TV TO 3-D


Bonus: searching for any fun facts on this record led me to this unrelated blog which does however have a nice thing about Brittany Murphy and some old timey actresses.

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Baltimore & Ohio employess shout it out with glee. 


The B & O Railroad. If you have any interest in such things, I encourage you to read the wikipedia, because I really can't pick out the fun facts to include here, let alone facts relevant to the song/glee club.
The Baltimore & Ohio Railroad employees' Glee Club is referenced a lot in this book on corporate management, of all things. It looks like it could be an interesting book.. I at least find the preface engaging. However an amazon reviewer condescendingly notes: "A word of warning as stated by the author in his preface: This is NOT a "choo-choo" book!...... This is a MUST READ for all those in corporate venues who want to get ahead." Uh okay guy.
Well anyway, it appears that the B&O Glee club formed during the mid-twenties, was successful in glee club competitions (perhaps in part due to the "selected non-employees" that had been added?), had a record on Decca in 1945 and this self-released record from.. also the 40s?
The song is kind of fun, not to mention the wanton self-references to B&O, and Baltimore, and Ohio. That's how I like it.
The guy who recorded this record is someone special, so if you really want to get intense on reading about some 78s, check out this page on Orlando Marsh. And even better, this one. Hell yeah.






The Baltimore & Ohio Glee Club
Casey's ghost Comes Back
year: ?

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Eva Tanguay revisited 


This little gem on the eclectic nonesuch label does what I dreamed of doing 25 years later - re-recording the signature songs of the most famous vaudeville ladies.
I chose the first track, which appropriately is Eva Tanguay's "I Don't Care".
The musicians on this record, Joan Morris & William Bolcom are apparently married and still going strong.
In fact, they have a new CD out.. today (this is a complete coincidence with me pulling out this record).
I can't say that I found Morris' voice compelling. For example when I listen to this song I've posted, I get the feeling that she does care. However, I am aware that I am prejudiced against these types of reenacting performers, probably because I'm jealous or have some high expectations.
Therefore, I am now interested in setting aside my attitude problem to give a fair listen to their new release. The description of "Someone Talked: Memories of World War II" declares that it was recorded/released "pride and respect for those who sacrificed to preserve democracy during the turbulent years of World War II", but the title suggests something more. It is narrated by an NPR host. I'm sure he will shed some wry NPR light on the subject, so I can wrap my adult contemporary mind around it.

Joan Morris & William Bolcom
I Don't Care
Vaudeville: Songs of the Great Ladies of the Musical stage
1976 Nonesuch Records




sorry, this is the illustration on the record

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Oh hi. Hi. Happy New Year.
Time flies between these entries. I had another that was half-written and I never published.
I have spent a lot of my time working on jewelry projects, both serious and just for fun.
I've been reading.
You know how I love teens.
So I was naturally drawn to this book when I saw it at the bookstore.
I've been slowly reading it, taking breaks to read other things. Mainly Chesapeake by James Michener. That book took me forever.
However, if I had a lot of time on my hands and didn't have a huge pile of other books I wanted to read, I'd read another Michener book.
I enjoyed it partially because of the subject matter.. if you read this blog regularly you know all about my Maryland obsession. This book took place on the Eastern Shore, however, and my east shore experience is overshadowed by my Chincoteague experience.
Anyway, I think Chincoteague should be part of Maryland. The lifestyle is pretty similar, as most of our fishing was done on the Chincoteague Channel and bay as opposed to the frightening Atlantic.
And I have spent my fair share of time on the Chesapeake of course. So the book starts out with Native Americans and gets really sad and swells up with more sadness about slavery, but I think it never again achieves the effectiveness of that first storyline as the Choptanks respectfully live off the largesse of the bay, only to slowly fade away and die off, watching their lands invaded and destroyed.
So it was pretty good anyway. It spanned centuries and sometimes moved nice and slow only to brush over other time periods. Believe it or not I prefer the slow going, detailed storylines to the sweeping encapsulations of decades.
I ended up buying a copy of the book because I'd checked it out from the library maximum amount of times. I will give my copy to my mom now. She will look at it and assume I read it in a week, because I used to be a bright, fast reader. I'm not anymore.
It's been bothering me how my intelligence has withered away. I'm trying to read more, and learn to retain information like I used to. It's very frustrating.
I have a feeling that practicing some math would help stretch my brain a little but I never cared for math.
So I've been slowly making my way through "Teenage," barely gaining any knowledge of the subjects covered, but enjoying the book nonetheless.
It's just chock full of facts about early adolescent murderers and the devastating effects of World War I, and the rise of mass marketing and all that.
While reading about the crappy "Bright Young People" and the fascinating Brenda Dean Paul and the behavior of these people and their influence and portrayals in literature of the period, I decided to put "Teenage" down yet again, and read some of the books mentioned. This might be my way of prolonging the enjoyment of reading this book. Having my cake and eating it, or something.
I just finished Les Enfants Terribles, and I liked it and noticed its similar themes to other things, like Cruel Intentions, which was actually based on a much earlier French novel about decadent assholes, and my favorite movie as a teen, The House of Yes. Not just because of sibling intimacy, but indulged children in suspended adolescence, as well as the male characters reciprocal insanity being somewhat more subtle, bubbling below the surface or whatever.
So next I am reading "This Side of Paradise" and "Vile Bodies."

I'm hoping this will help me get smarter.
I also checked out two Gossip Girl books because it's another undertaking I feel obligated to somehow. I guess I enjoy them? I don't even know. I like talking about them. They're good for conversations. I tried to talk about Les Enfants Terribles and I just sounded like an ass.

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Were the Thirties actually wonderful? 



Hey! A whole dang record. Actually, two records.
Over the last few weeks I've been taking my time and recording to mp3s the songs from both discs in this compilation. I have no idea what year this was released but I assume it caters to some rich people who thought the thirties were wonderful. I wasn't there, but I'd heard otherwise.
Furthermore, according to the 1930s Tin-Pan Alley compilation "The Music Goes Round and Around,", the thirties weren't that important music-wise either.
To further entice you to download "Those Wonderful Thirties: The Stars of Broadway, Night Clubs and Vaudeville," I'll admit that it's not the greatest. A lot of the recordings are actually from the 40s.. but they were hits in the 30s.
Lastly, I will reveal that I put varying degrees of effort into the recording and tagging of the four sides. It's sort of a grab bag.
There are some songs and a George Jessel comedy bit that I enjoyed. I'm gonna keep on with this 30s theme and record the other volumes of "Those Wonderful Thirties," including a Hollywood and I think a radio version. And then i'll save best for last and upload that "Music Goes Round and Around" comp.
Enjoy!

Download:
Those Wonderful Thirties: The Stars of Broadway, Night Clubs and Vaudeville

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this and that 


I haven't done a song in awhile, and I promise I will in the near future. I've been busy with all kinds of things: work, metalworking, cooking classes, weekend jaunts with family and friends.
For now I'm going to catch up on other things. First I'll bring up Archeophone's timely release of "Debate 08: Taft and Bryan Campaign on the Edison Phonograph." I just got this (along with this collection of banned 1890's recordings!).

The recordings are great and eye-opening, but the booklet that comes with it is not to be missed. If you have any interest in history, politics, or the evolution of recorded sound and its impact on society (I fall into this latter category), I highly recommend this. Archeophone is the BEST. I wish I could afford to own every single thing they released. I've got my eye on Lost Sounds: Blacks and the Birth of the Recording Industry, 1891-1922.

In modern music news, my mom took me to see The Avett Brothers on Sunday. Holy wow what a show. Those dudes can sing. And scream. And rock a cello and a banjo and break a lot of strings and stir a crowd into a frenzy. According to Wikipedia they're 'folk rock'. So if you're into that kind of thing in any possible way, you might want to check them out.

Books:


American Vaudeville As Seen by Its Contemporaries
Totally cool. Got this from the Pratt Library. This was full of reprints of old timey articles related to vaudeville, culled from autobiographies, newspapers, trade publications, and more. It's divided into sections such as beginnings, stars, decline, legacy, etc. See, this is why the Pratt Library rules. Because I wouldn't have found this book if I hadn't been browsing around that place. And this is my favorite kind of stuff, "contemporary" time capsules. Truly it added to my mental vaudeville experience.

Gossip Girl books 2 & 3: "You Know You Love Me," "All I Want Is Everything"

I am so embarrassed when I ask for these at the library. For some reason some of them aren't always out for the picking so I have to have the nice lady go get them. Asking for "You Know You Love Me" was the worst.
But obviously I keep coming back for more. It takes like 45 minutes to read one of them so I kind of break up the nonfiction with it.
On to my summary:
More hijinx. Lets see.. uh this goth girl Vanessa takes a video of her friend Dan's little sister Jenny "doing what looks like the nasty" in the park with Blair's ex Nate in the park. But Vanessa didn't know it was Jenny she was just being an artful filmmaker. So Vanessa's older sister Ruby lent Vanessa's camera to a friend and the video got on the internet. And Dan was devastated that Jenny and Vanessa were such sluts so he wrote a poem about it and it got published in the New Yorker.
Serena and Blair became friends again and went on vacation to St. Barts, wherever that is, and some rock star fell in love with Serena but she was all like "whatevs." Actually I forget what else happened because I simultaneously started renting the TV show and watching those but basically they're all great and totally scandalous good times.
Seeya later xoxo.. unicornmeat.
That's a little Gossip Girl joke for you.
I haven't had any comments or emails lately... is anyone out there? Did I ever post that video of me singing from 2003?

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Baltimore Diary (late for Independence Day) 






Eddie Albert
Baltimore Diary 1773-1973 (excerpt)
RCA/The News American (1973)







This is from a two LP set. The second record "presents for you selections from America's prolific musical heritage," such as "Shenandoah", "Semper Fidelis", "The Charleston", "The Twist", "Aquarius"(yes, from hair -k), and "God Bless America."
The first is a narrative compiled from stories (and weird classified ads) from The News American, "Baltimore's first and oldest newspaper", which ceased publication in 1986.
I've included a few minutes of tragedy and comedy from the turn of the 19th century.

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